• Andrea

Big changes, rock faces, big women and singing sands

Updated: Dec 26, 2017

My week on Eigg has been an extraordinary experience that I will cherish forever. I am not sure that I would feel the same way if I were still living in Scotland. I moved to London two days after my return from Eigg and therefore writing this blog from London makes me perhaps idealize my experience on the island. The natural beauty and wilderness of the Scottish islands is what I remember most fondly from my trip and I can’t stop comparing it to life in the big city of London.

Big changes

My life recently has been highlighted from big changes. Finishing university, moving from Edinburgh to London and starting my masters program, all within the space of four months.

Going to Eigg for a week in between was something fresh and different and for once I found myself not worrying about my life but about simple everyday things like the weather, food, cooking and generally surviving.

Even though the Bothy has everything one needs to survive, I am ashamed to admit that I am rather a person of comforts, therefore getting accustomed to life in the Bothy required considerable effort on my part even though I was fortunate enough that Martin, my boyfriend, accompanied me there, which made things much easier. Simple acts, like showering and cooking are so embedded in our everyday lives that we almost never think of them. Water is always warm and food is always accessible. At the Bothy, we had to warm up the water by burning wood. To have a shower outside in 10 °C, the water temperature had to be at least 35°C. Therefore, we had to keep burning wood for around 2-3 hours depending on the weather outside. Only one day during my weeklong residency the sun was strong enough to heat the water up to 29°C. To cook, we had to walk to the Pier, which is 1.5 hours away (each way), to get food supplies and then either cook on the single stove or in the fire heated oven.

Everything took more time than it usually takes in “real life” but then there was nothing else to worry about in the island, which really slowed me down and made me somehow relax.

Singing Sands

Each day we tried to explore a different part of the island. One day was the south side of the island, the pier and the caves, another excursion was An Sgurr and another the Singing Sands Bay. My favourite place on Eigg proved to be the latter. As I wrote in my diary, “At first I was perplexed as to why the beach was called the Singing Sands. I could hear the song of the waves but it wasn’t of the sand. Why the sand? I don’t understand. Just when we were about to leave, I started cleaning my shoes on the sand, and then we heard the song. The beautiful song.” The colour of the sand was so white and crystal-like and the silhouette of Rum was just like an apparition, a dreamy land just across the water.

Influence of Eigg on my work

Before the trip to Eigg, I was stressing and debating in my head about how a place can actually influence my work. This is because of the nature of my work, which relies primarily on imagination and on subjective interpretation of reality.

As it fortunately turned out, the residency and Eigg itself proved to be positively influential. I made some works I recognize as successful and I also feel that what I’ve experienced and seen I am taking with me and I haven’t even for a bit exhausted their potential.

Usually my canvas works like the theatre stage, a defined space in which a series of open and closed narratives are enacted and my characters function like actors in a play. I consider the relationship of director versus actor and the relationship of characters versus real people. My characters are usually inspired from prehistoric Greek and Cypriot artifacts, Cycladic figurines, puppets from nineteenth century Greek shadow theatre and fashion photography.

This time, instead of a theatre stage or my own country Cyprus as a platform for my imaginary stories, my characters occupied Eigg. What influenced me the most was the fact that the island is away from real life and different from everything defining our daily routine. Nature is enchanting and the isle of Eigg can definitely host otherworldly characters and tell otherworldly stories.

Rock faces

The cliffs surrounding the Bothy were my first inspiration. They seemed so substantial and grand and we were just two small figurines in a small hut at the very bottom, looking up at them in awe. The image of the cliffs immediately stirred my emotions and evoked my imagination. What if those cliffs could wake up? I could see them shifting and altering their faces as the light was varying and the clouds were moving.

Big women

Not only Eigg influenced the setting of my drawings but also the characters involved in the story. The way the weather conditions kept changing in front of my eyes with such speed made me imagine powerful female creatures hovering ever so gracefully on top of the island and constantly changing the set of the play in accordance to their whims. They are powerful, omnipresent and god-like creatures that are responsible for the extreme weather conditions and natural formations of Eigg. Just a single, seemingly tiny but eloquent, move of them caused a huge and unforgiving impact on both the island and us.

I later stumbled upon the myth of the big women warriors, giving the name to the island in Gaelic, ‘Eilean nam Ban Mora’. I couldn't find a clear depiction of the story but I have faith in my imagination, which created these creatures that hover over the island and rule it.

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